I’m not a shameless advertiser, but I am desperate.
Simon J. Cook (independent scholar – on Tolkien among other subjects) has written a short post, Awesome Amgalant, where he calls the start of the book at least ‘up there with Mary Renault, which is to say damn near perfect.’ I hope to God he likes the rest, but then again, after that I scarcely care if he doesn’t.
While you’re there – seriously – play the music vid. It’s Altan Urag, Mongolian folk rock band, and they are beyond fantastic. In fact, visit just for this wild instrumental…
… which I sort of identify with. Maybe I’m doing Mongol folk rock. It’s what I like in Mongolian music: fusions of traditional and contemporary. I’m told it’s how I write my prose. If I can in future create sentence-equivalents to pieces of this track I’ll be, in an artistic sense, happy ever after.
Of course, I look forward to Simon J. Cook’s discussion on what makes the perfect historical novel. As a practitioner, fairly obviously, I’ve become more and more interested in the writing of history, fact and fiction. So much so, I’m going back to uni next year to study it.
Meanwhile here I am, plugging or begging: Be adventurous – try an unknown indie, who’s trying adventurous things herself. If you need a paperback, contact me. I haven’t done huge giveaways, so I’d think of individual asks as a better way to giveaway. We’re still fighting for traction at Amgalant.
Publishing is a dispiriting business for perhaps the majority of writers (trad or indie, dead or alive). I won’t be throwing in the towel, because I have things to say. But of course, one wants those things to be heard. I don’t write ‘for me’, no more than I write for an audience.
I write for Them. I write because no-one has said these things about them. In part I’m stitching together ideas and interpretations from disparate books – that tend to be less mainstream Mongol history, or else that aren’t Mongol history but shed light. In part – as happens when you begin to do this – I have come to conclusions/speculations/inferences unwritten as yet in book. My job isn’t as simple as to turn into a story what the history books have to tell me. Mongol history is ever more contested, including by me. If you’re interested in Mongols, there’s much in my novels I can pretty much guarantee you won’t have met. And that you may think dodgy, but the point is, I try to write an interpretative historical fiction.
It isn’t that I think my Tchingis is the true one. That’s why I spelt him Tchingis, instead of the common transcriptions. But he’s a possible one, I believe, and my mission is to express these possibilities. 
With Three – that is, with the Conquests – even more so. I have my material for Three and my main lines. I want to add factors that aren’t usually considered in work on the conquests. They’re not mine: as I say above, stitching together disparate books. Leads to leaps… there’s a thing about novelising history, about the demands of fiction, the cogency and the psychology required, that can result in another, valid way to write history. Or so I fully believe, but I don’t have my thoughts sorted, and that’s why I’m going off to study next year…
Today T. Greer was kind enough to write, when asked for non-fiction recs, ‘For what it is worth, [Bryn Hammond’s] novels on Chinggis’ early life are possibly a better introduction to the period, its characters, and the timeline than anything else in print.’ That’s much appreciated, since T. Greer isn’t a big fiction reader, but has a website, The Scholar’s Stage, on matters strategical, geopolitical, etceterical. If you look under entries tagged ‘Steppe and Sown’, you’ll find Greer’s independent work on steppe subjects (I’m happy to say, my Goodreads shelves were found useful as a kind of annotated bibliography).
- One HF I’ve been excited by this year is Shan Sa’s Empress, on China’s woman emperor Wu. It excited me because I felt she was doing a similar ‘possible interpretation’ (out of a hostile historiographical tradition) – that might be seen as whitewash of a shady character, but I think is more than that.