This short entry is to link to a most observant discussion of my historical fiction project by John Caviglia: a post on the blog of Rounded Globe, who have just published my ‘Voices’ essay.
Observant is what I might expect from John Caviglia, who is both a writer (premodern, epic-in-scope historical fiction) and in his past a professor of comparative literature. I particularly enjoy his remarks on Elizabethan theatre-style staging. Certainly I imitated theatre in a few ways. There are scenes where I cease to write in anything other than people’s spoken lines, to be like a play script: because these ought to do, they ought to stand by themselves. And I several times had in mind Elizabethan resemblances. My acquaintance with theatre is largely Elizabethan, let’s face it; and for reasons unspecified I did often want a theatrical air.
“He can tell a hawk from a hatchet flung at his head.” – Jamuqa misquotes Hamlet.
Book art from the Ilkhanlig: a Mongol court travelling, talking…
The Diez Albums, courtesy of Wiki Commons.